So I was five, and one of those rotten precocious children. Baby Sarah taught herself to read and write, and was incredibly snotty.
In her defence, her life was made bitter by the fact that her mother cut her boring brown hair in a bowl cut and grew her baby brother's shining silver-fair hair into a swinging pageboy.
KINDLY GENTLEMAN AT THE TRAIN STATION: You be a good boy and look after your little sister!
BABY SARAH: Thank
you for delivering that complex in a box.
BABY RORY: C'mon. I gotta go home. Do manly things.
BABY SARAH: You don't want to play Barbies today?
BABY RORY: ... Only if they play sports. Manly sports.
Also of course, Baby Sarah was just advanced and not a Secret Genius, so a few years later she wasn't going to be much good at anything but English. A few years after that there was a fire in Home Economics and a disastrous spill in Chemistry, and - well, let me put it this way, my whole school experience was interesting, but not remarkable for my stunning brilliance.
At the time, obviously, I thought I was awesome and I kept trying to make other people agree. So, baby nerd Sarah, a walking bowl cut and spectacles with probably a little person hidden under there somewhere, goes up to her grandfather. Grandpa Jack was this giant ex-army dock worker covered in tattoos and who had jet-black hair at seventy: he had no idea what to make of me. Possibly he thought my parents had adopted me from Mars.
BABY SARAH: I WROTE A BOOK.
GRANDPA JACK: Um.
BABY SARAH: (
waves a red folder containing two sheets of papers, one much scribbled on and one containing a very bad picture of a house) IT HAS TAKEN ME MANY YEARS TO COMPLETE MY GREAT WORK.
GRANDPA JACK: Honey, it's the most awesome book ever.
BABY SARAH: Yes, that's what I thought.
GRANDPA JACK: (
watching me as I departed) Oh little Martian baby, when will you learn our earth ways?
You may ask me what the point of this story is, and it totally has a point. I always wanted to write books. Since books were the things I saw on shelves, the objects that I loved.
The idea of short stories never occurred to me. Give me a break, I was five.
By the time I was in my twenties, though, I still didn't quite get short stories. I tried to write a couple, and I remember being extremely pleased when a friend read my version of Hansel and Gretel and went 'Oh God, urgh, what is
wrong with you?'
Part of the problem, I think, was that I read very fast. A short story is a snack for me. One bite and I am sitting there going 'Please sir, may I have some more?' I get very attached to characters and situations. Why isn't this a meal, I wonder about my snack. Why isn't it a delicious, delicious book.
I was twenty-three and living in England, and I knew I couldn't write a short story, so I decided to learn. And first that meant appreciating short stories for what they were, and not wishing they were books.
There are short stories like Ursula LeGuin's
The Ones Who Walk Away from Omelas and Neil Gaiman's
The Problem of Susan out there. I loved them: I knew they were worthwhile. I just needed to try and understand better.
I read a lot of short stories. I now own a lot of Sylvia Townsend Warner and Kelly Link. My latest short story anthology purchase was one called
So Fey, a collection of gay fairy stories, my very favourite of which was the truly awesome
Ever So Much More Than Twenty by Joshua Lewis.
I learned the way writing short stories works for me. The first thing to do is, when you glimpse a short story idea, just jump on it and wrestle it to the ground and beat it senseless
SARAH (
one rainy day in Guildford, jumping up from the sofa): UNICORNS!
OLYMPIA (
our guest): Does she do this a lot?
PENELOPE: Almost daily.
SARAH: So, unicorns, right, they can tell if you're pure, am I right?
OLYMPIA: Well - yes.
SARAH: So unicorns would be really excellent chaperones for young ladies, am I right? They'd never let a gentleman's hands stray! That makes sense!
PENELOPE: Sense is such a strong word.
SARAH: I have to go write, 'scuse me...
I have to jump on it before it even tries to think about becoming a book. It will come as no surprise at all to anyone reading this journal that I tend to go on and on.
Short stories have length limits. People expect them to be, like, short or something. Don't ask me.
SARAH: FOUR THOUSAND WORDS! That's not even half a
chapter!
UNSYMPATHETIC FRIEND: You have to stop writing such long-ass chapters.
Books can have about a thousand purposes. When I write short stories, I limit myself to two purposes. One is to make people laugh. The other is to punch people in the heart.
Both of those are fun things to do if you can. Combining them is even more fun. Usually I manage neither, but even trying is fun, and keeping my eye on one or the other goal lets me write short stories.
I still write 'em too long. I still read a whole lot more books than short stories. But I appreciate the short stories now, and I think I write them a little better.
And I have another small story. So Sherwood Smith (otherwise known as
sartorias, author of
Crown Duel and other novels, a lady most excellently cool) was talking about the fact she'd been asked by Coyote Wild, an online magazine which contained stories by her and Elizabeth Bear and other people also most excellently cool, to do a special Young Adult edition and choose stories with the help of a teen panel.
SARAH: Real teenagers say whether they like you or not! That is the coolest thing.
SARAH: I wish I wasn't short-story-impaired.
SARAH: Well, I guess I could maybe just send that one story in. I mean.
Teen panel.
SARAH:
eats liquorice for liquorice courage, the YA version of liquid courageTo make a long story (not all that) short, the first short story I wrote during my intensive training-myself-to-write-short stories phase is up on Coyote Wild Magazine now. It contains unicorn chaperones, frog accountants and jokes about necrophilia. It's called
An Old-Fashioned Unicorn's Guide to Courtship.
I am pretty happy. If I had a time machine, I'd go back and high-five Baby Sarah.
And I have a question. If you read/write short stories, how do you read/write yours? What's your system?